From Kensuimo:
Ok chief, symbolize this one
(Click for larger.)
That’s actually very interesting. For starters, there’s a very intentional phoenix aesthetic overall. Literal “power behind the throne” image.
Conclusion: Green man vs. behelit Ganondorf. Giant = god = the world as it is (in modern terms, the “system”/society/dominant cultural narrative). So, the holistically moral hero challenges the world order, which was established by some great sacrifice. It may just due to low art budget, but you get the sense that the human king has become detached and possibly disaffected. It occurs to me a perfect trope for the latter idea would be a “mad king”.
For some reason I never made the connection between gods and giants before. They’re pretty much interchangeable in myth.
Aeoli Pera 
Can I share some really good Neanderthal music I just heard?
Ex-member of Gorky’s Zygotic Mynci, from deep SW Wales, Richard James, has done an orchestral piece. It’s brilliant IMO. This is the guy:
Here’s the music link:
https://richardjames.bandcamp.com/album/broc-m-r-broc-tir
Thank God for Neanderthals.
Lucifer (man on throne) and Ahriman (giant monster) occupy pyramid-throne and face down apparent threat from Neanderthal man whose green cloak indicates roots in natural world, whose brown hair indicates earthy and non-divine ancestry (as opposed to the king’s platinum blonde hair, which always indicates semi-spiritual ancestry or extra-dimensional genetic tampering/influence), and whose coattail-embroidery depicts a downward-pointing pattern, indicating the downward-syncing occipital bun (in opposition to the hierarchically-vertical pyramid-throne complex).
Pyramid spaceship window patterns. “As above, so below” devices on the windows.
Ubiquitous 8-pointed star motif = Pagan pantheon/Buddhist type “wheel of dharma” spirituality
King’s one eye = eye of providence/eye of horus
Not sure why the king has the red hood, or why he has no shoes.
Maybe it’s a gritty reimagination of little red riding hood as directed by Quentin Tarantino.
Inverted droplets on throne = loosh/blood/treasure wicking up?
The giant Ahrimanic thing is basically the military-industrial-complex/state power. It appears to have no eyes and thus no soul(?)
>Maybe it’s a gritty reimagination of little red riding hood as directed by Quentin Tarantino.
“My, Grandma, what great big claws you have!”
“All the better to massage your tired feet with [while monologuing for forty minutes about the cultural significance of the Spice Girls]!”
The giant Ahrimanic thing is basically the military-industrial-complex/state power. It appears to have no eyes and thus no soul(?)
The king on the throne has one eye because he mutilated part of his soul to get where he is (eyes represent the soul).
That’s actually very interesting. For starters, there’s a very intentional phoenix aesthetic overall. Literal “power behind the throne” image.
“Power behind the throne” is wrong because the giant is extremely visible, imposing and obviously dangerous; he is also projecting out forwards in front of the throne/king (his left hand is almost on top of the Neanderthal guy).
The “power behind the throne” are malevolent spiritual beings, and their out-of-sight presence is merely implied in the image by the loosh droplets wicking upwards to an unseen destination on the back of the throne.
Rather than the power *behind* the throne, the giant is the power *backing and supporting* the throne. The giant is mass society/Koanic’s cockroach.
So the king is Cain’s genetic lineage (“King” = “Khan” = “Cain”) who are the current global judeomelonhead illuminati elite–who are represented in contemporary fiction with platinum blonde hair because their ancestry is supernatural (as opposed to normal yellowish-blonde hair). The king’s feet are almost off the ground, representing his metaphysical enlightenment.
The 8-pointed star is Zodiacism/Enlightened metaphysical NWO government that creates a perfect system of loosh for spirits aligned with Satan and who are ultimately the power behind the throne; this is all represented by the droplets of loosh wicking upward from the 8-pointed star.
The green guy is the Neanderthal/naturally-generated hominid, who has had just about enough of this hoodoo nonsense despite not being able to wield any significant corporeal power (he is unarmed except for a simple flag on a wooden pole which represents his unwavering endogenous principles and ideals)
The big giant is the power represented by organized mass human society/Koanic’s cockroach (he even has cockroach antenna [or maybe moth/butterfly, representing something different. Probably a bit of both]).
The giant has an approximately humanoid form but has no soul (no eyes). His skin looks like its made of thick latex; cut it open and a flood of cockroaches will probably come gushing out.
So Sara Kipin thinks she just drew “some dudes”–but she is, in actuality, fully-blown Enlightened Greenpill.
Maybe. I’ve always had the opinion that artists don’t need to understand what they’re doing or why.
Right, I’m saying she doesn’t understand what she’s doing. I’d bet 1000 dollars she’s never heard of the “Enlightened Green Pill”.
Hell, I’ve never heard of it.
Much of my early, unreleased work from my mid-late teens symbolically coheres with ‘Jungian’ understandings I only recently gathered the vocabulary and explications for. In reviewing them I was struck by how deeply I pierced these archetypal realities while having no sense of what I was doing. I hope, having thoroughly integrated the visual language of archetypal reality, my work doesn’t become too ‘academic’, linear…lacking in mystery, hiddenness, intuitive depth, etc.
Also, Little Red Riding Hood would be played by Uma Thurman.