Because why not.
Thanks for giving me targeted advice with guitar. What would you advise for the actual right way to do things instead of what was closer to something I would try?
Standard tuning or drop tuning, with each string tuned down the same number of half-steps so it’s still easy on your fingertips. For example, C-standard or drop-C. I particularly like drop tunings, myself, but they’re both popular for a reason. They make it easy to play the most common harmonies (power chords, thirds, and fourths), with a slight modification that makes it easy to play common chords with a lot of open strings. In your tuning (let’s call it special boi tuning) it would be difficult to play a C-major or A-minor with five strings ringing together, or to sweep an arpeggio.
Drop tuning keeps most of the benefits of standard tuning but dropping the bottom string a little really helps out with a lot of the most common types of riff in metal (low power chords and string skipping), plus your lowest note is slightly deeper. The cost is you lose your six-string chords like G-major, but I don’t use those anyway. And you can’t play major or minor second intervals on the two lowest strings, which legitimately kinda sucks because those have a great dissonant sound for metal riffs. A good example of these in the mid-range is the main riff/chord in The Seventh Trumpet by August Burns Red.
Great film.
C-standard would be E-standard with all strings loosened by four half-steps. E-standard is the normal EADGBE. So C-standard would be E minus four piano keys (C), A minus four piano keys (E), D minus four piano keys (Bb), and so on to get C-F-Bb-Eb-G-C. It’s pretty easy to learn the scale and mode shapes. They still mostly repeat, but there are a couple of small quirks to remember.
Pingback: On Just Intonation, Equal Temperament, Micro-Tuning. – True Ataraxia Radio
Since you brought up tuning, now would be a good time for me to share my opinion on just intonation, equal temperament, and micro-tuning.
https://trueataraxiaradio.wordpress.com/2022/01/22/on-just-intonation-equal-temperament-micro-tuning/